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Stratosphere Boogie: The Flaming guitars Of Speedy West and Jimmy Bryant

Stratosphere Boogie: The Flaming guitars Of Speedy West and Jimmy Bryant
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Additional Stratosphere Boogie: The Flaming guitars Of Speedy West and Jimmy Bryant Information

These 16 sides were selected from the more than 50 that guitarist Bryant and pedal steel player West cut in Los Angeles between 1951 and 1956, when they were also most in demand as country--and occasionally pop--session men. Forty years later, these are still considered the hottest, most fully realized, most musical instrumentals in the history of country. West's slashing, muscular steel lines send out sparks, while Bryant's bop-influenced, breakneck guitar cuts clean as a scalpel. Using the guitar-steel pairings of Western swing as a jumping-off point, these guys created a jazzy body of work that many guitarists are still trying to decipher. --John Morthland

 

What Customers Say About Stratosphere Boogie: The Flaming guitars Of Speedy West and Jimmy Bryant:

Finally Amazon made it happen online. However I heard them in 1990 and was longing to own my very own copy of this album. Collector piece, great recording quality and a must have for those who like A mix of Jazz, country and bebop. Piece of history worth collecting. Where I come from probably people will need a wikipedia to search for unknown instruments.

As George related the story, all in attendance stopped what they were doing, gathered around and watched Bryant pick away. HOT, HOT, HOT. Inventive, creative, original. Be prepared to be sent into the stratosphere.

Remember, this is the 1950s, and there are no tricks here. As pure and clean as it gets. Teamed up with Speedy (and that name is accurate) West, you have an album that cooks. Fender's invention can be heard in its purist form.

According to George Fullerton, Mr. Bryant and Mr. One of the best instumental albums you'll ever hear. It, I'm sure, was an historic moment.Thankfully, the combination of Mr.

During a set break they approached Jimmy, who took it, sat on the edge of the stage and began picking. As Jimmy's son points out, he was Leo's torchbearer with the tele. Fender's right-hand man, he and Leo were at a club in Riverside, CA, looking for guitarists to "test drive" this new invention.

My favorite is "Arkansas Traveler" as a I-vi-ii-V song instead of the traditional I-IV-I-V. Originals and souped up country standards, played at warp speed, with sock rhythm and bop lines.

Hope you like it - you can read more about my dad at.Kind regards,John Bryant My father, Jimmy Bryant, played the heck out of his Telecasters - in fact, he was the first artist to play a Fender guitar for Leo Fender. If you play guitar and have never heard him play, this may scare you to grasp the thought of him doing this in the early to mid 50's - just think about being the first to play a solid body electric guitar without having someone else to copy chops from - and it sounding like this.

Whatever it is they're playing, I like it."Stratosphere Boogie," "Arkansas Traveler" and "Flippin' The Lid" are the highlights for me. is less than interesting to me. yadda yadda yadda).

The never-ending debate about which cubby hole to stuff Speedy West and Jimmy Bryant into (are they Country. Country Jazz. To those of us coming from a more Pop point of view this CD sounds like a ruralized Les Paul--lots of flash and a 2/2 beat.

Pop Country. West/Bryant understood the difference between showing off by picking at 1000 miles an hour and delivering a tune with a pit of flash and panache. C&W.

Jazz.

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